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This is one of those movies series that when I believe about they remind me of all the saturdays in middle school where I would conclude up till 4am watching all the dilapidated movies my parents and much-older siblings had laying around in our movie collection.
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‘Revenge of the Nerds’ is the perfect middle-school/high-school movie in every since of the phrase. It is cheap/slackstick/sexual humor, but unlike a lot of newer movies along the same lines (’American Pie,’ ‘Eurotrip,’ ‘The 40-Year-Old Virgin’) it never feel gratuitous, eventhough the language is distinguished more questionable. The site itself follows two best-friend nerds durring their plunge semester of their freshman year. When they are kicked out of the dorms, they along with fellow ‘outcasts’ band together and initiate their contain fraturnity and cause problems for their fellow Fraturnity stout of Jocks.
The Second movies features almost all of the entire fresh cast (Anthony Edwards only appears in the first 3-minutes of the film), as they grasp a paddle down the Miami for a natual ‘Fraturnity Leadership Meeting’ and of course chaos insues.
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The third film takes station a friendly 10/15 years after the events of the second movie, and thus has a completly different tone than the previous two. This movie was fresh made-for-TV so already from the beginning the humor is more slapstick (and powerful less sexual), and its dare-I-say almost ‘family freiendly’. In the movie Louis’ nephue moves off to college to secure the college overrun with Nerds, but the Dean trying to fetch rid of them all.
The Fourth (and final film) I have only viewed once, but it is another ‘made-for-tv’ movie that follows the surviving nerds (now in their slow 30s/early 40s) getting married and starting their families.
While the first of the Revenge of the Nerds films helped to breathe unique life in the struggling teen film market and moved the genre attend to college all the while helping to construct a newer “hipper” version of the “nerd” character in teen cinema – the same cannot be said for its sequel. Composed, it’s refreshing to inspect Jeff Kanew’s first successful feature film, as long as it doesn’t compose you wonder how a director with a gift for immense comedic direction managed to lose his method with such dismissable tripe as 1989’s Troop Beverly Hills and the flabby Kathleen Turner pic V.I. Warshawski. Nevertheless, Revenge of the Nerds aloof works as a triumph in teen cinema with a talented cast (led by Robert Carradine, Anthony Edwards, and a delightfully depraved Ted McGinley – before Gratified Days, The Fancy Boat, and Married With Children turned him into a one-dimensional acting joke) . Even the normally inappropriate Timothy Busfield has fun with his role as the violin playing Poindexter. With a anecdote that celebrates (however problematically) diversity in class, bustle, and sexuality – the film succeeds on a level beyond merely making the audience laugh. Add to this a touchingly heartfelt final speech by Anthony Edwards, and there is only one blueprint that the sequel could have gone – down.
Revenge of the Nerds II: Nerds in Paradise has neither the sensitivity nor the humor of the first film. Directed with heavy handed excess by Hollywood uber producer Joe Roth (you have probably stumbled into a few of his sequels – most notably Young Guns II and The Exorcist III – not to mention his directing work which includes 1990’s passable Coupe DeVille and last years America’s Sweethearts), Roth manages to strip mine the first film of its humor and originality and replaces its gentle come to T&A with a hamfisted collection of fart jokes. It does have some grin suitable moments (such as the memorable zen loogie), but its otherwise a xerox of the first film, former and uninspired. It may please die hard fans of the series, but I was disappointed at the young age of 14 – and 14 year olds aren’t hard to sign.
Still, the DVD is worth picking up if only for the glowing transfer of the first film, which is both impressive in its visual manufacture – taking the production beyond the sitcom modeled standard for eighties comedies. I beget that the second film is packaged with the first because Fox knew that people were unlikely to recall it on its absorb. I know I would be.
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